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“... At the end of David Pownall’s book the protagonist and his confidant are shot. At the end of John Hearne’s the leading characters have been respectively drowned, decapitated and disembowelled, and the hero is about to be hanged. Ann Schlee’s story ends with her heroine renouncing a fantasy and going to live in a cottage by herself, having made a ...”

“... only really switched on the power in the 1950s. Novelists such as George Lamming, Samuel Selvon, John Hearne, Andrew Salkey and V.S. Naipaul were among the first voices from the outposts of Empire to talk back. Not for them ‘clapping his hands and stamping his feet’ in order to communicate, like Conrad’s fireman (‘and he had filed ...”

“... In the second chapter of Brian Moore’s first novel The Lonely Passion of Judith Hearne, Miss Hearne gets to know her fellow boarders, especially the landlady’s brother, the returned Yank, Mr Madden. They discuss the difference between men and women in Ireland and America. ‘Guys beating their brains out to keep their wives in mink,’ Mr Madden complains ...”

“... stage-managed by Scott) – opposite the playbill for a production in 1823 of Shakespeare’s King John at the Theatre Royal, which boasted an ‘Attention to Costume never before equalled on the English Stage’. A playbill for a production of Shakespeare’s ‘King John’ in 1823. The century before Scott’s The ...”

“... you out of this fantasy is the first line of dialogue, delivered matter-of-factly by the farmer, John, to his wife: ‘Mary? I’ll ask you again. How many times did you come?’ This isn’t your average farm but a site of adultery, fecklessness, vice. This is a Kevin Barry short story because it could only be a Kevin Barry short story. There Are Little ...”

“... Lost by William Hogg, the versions of Spenser’s Shepeardes Calender by Theodore Bathurst and John Dove (both of which experiment vigorously with Latin metrical form), the stately Latin transformation of Absalom and Achitophel by Francis Atterbury. David Money’s learned book seeks to rescue one exponent of this cliqueish art-form from the dust-heap. His ...”

“... literary pirate and pornographer, assumed that Pope had an obscure imitator of Haywood called Mary Hearne in mind. But there was no mistaking Pope’s jeering vision of ‘Eliza’ a few lines earlier: ‘Two babes of love close clinging to her waste’. Here Haywood’s monstrous, bovine fecundity has a double aspect. Flaunting the babes, she’s scandalously ...”